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Benjamin Binder, musicologist and pianist, is Professor of Music and Chair of the Musicianship Department at 91制片厂鈥檚 Mary Pappert School of Music. He holds a master's degree in piano performance from Washington University and a Ph.D. in musicology from Princeton University.

His scholarly work on 19th-century Austro-German music, art song, and classical music performance has been published in Nineteenth-Century Music Review, Journal of the American Musicological Society, Current Musicology, Music Theory Online, and in edited volumes from Oxford University Press, Indiana University Press, Cambridge University Press, and Routledge. Recent publications include the 鈥淧erformance and Reception鈥� chapter in The Cambridge Companion to Schubert鈥檚 鈥榃interreise鈥� (Cambridge University Press), 鈥淧erformance Matters in Heine: The Case of Pauline Viardot鈥檚 鈥楧as ist ein schlechtes Wetter鈥欌�� (in Song Beyond the Nation: Translation, Transnationalism, Performance, Oxford University Press) and 鈥淢odern and Sentimental Voices in Scott Wheeler鈥檚 Wasting the Night鈥� (in 20th- and 21st-Century Song Cycles: Analytical Pathways Toward Performance, Routledge). Dr. Binder has presented papers at regional, national, and international scholarly conferences, including meetings of the American Musicological Society, the Society for Music Theory, the Phenomenon of Singing International Symposium, the Biennial International Conference on Nineteenth-Century Music, and the Biennial North American Conference on Nineteenth-Century Music. In 2024, his book The Lied at the Crossroads of Performance and Musicology (a co-edited essay collection with Dr. Jennifer Ronyak) was published by Cambridge.

As a pianist, Dr. Binder has been a fellow at the Tanglewood Music Center and a participant in the Cleveland Institute of Music Art Song Festival. He has accompanied vocal and instrumental recitals throughout North America. He regularly presents innovative song recitals and solo performances throughout the Pittsburgh area and beyond, including collaborations with the Carnegie Museum of Art, Andy Warhol Museum, City of Asylum, and 91制片厂.

As a public-facing scholar, Dr. Binder wrote a script for Thomas Hampson's Song: Mirror of the World public radio series which was broadcast nationwide in the USA on the WFMT Radio Network in 2015 and throughout southwestern Germany on SWR Kultur in 2018. He has also researched, written, and delivered interactive scripts as an event host for concerts with the Pittsburgh Symphony Orchestra.

From 2010-14, working together with pianist and vocal coach Cameron Stowe of the New England Conservatory, Dr. Binder was the director and co-founder of the Vancouver International Song Institute's Song Scholarship and Performance program at the University of British Columbia, a unique song workshop and summer course for performers, musicologists, theorists, and literary scholars. The program brought together groups of students and professionals to encourage cross-disciplinary approaches in the study of song.

For more information, please visit http://www.benjaminbindermusic.com.

• Ph.D., Princeton University
• M.A., Princeton University
• M.M., Washington University
• B.A., Yale University

• History of Western music
• Art song

• 19th-century music and culture

• 19th-century Austro-German chamber music

• Classical music performance

• Audience engagement and concert innovation

• Interdisciplinary performance studies